A fabulous display of boldly colored shoe designs wear the Christian Louboutin label in spring 2013, so enchant your eyes with these spectacular shoes and see which ones you won't be able to resist! One of the must-have brands of every true fashionsta, Christian Louboutin, proved once again that there's nothing that can stop it from conquering the world with the help of its latest collection. The brand's spring 2013 shoe collection makes it clearer than ever that these dreamy Loubies will never cease to amaze its fans as the designer seems to have 'armed' himself up with a bottomless bag of ideas. Apparently, after a fall 2012 season in which dark, cool tones dominated the fashion scene, the designer chose to spice things up and infuse a bit of color in his designs, thus adding a high dose of warmth that comes as a breath of fresh air in the new season. The pops of color only seem to compliment the varied designs that have been unveiled by Christian Louboutin, thus the honeys that will be fortunate enough to get their hands on each and every one of these stylish spring 2012 Christian Louboutin shoes will surely not go by unnoticed.

Pilati’s reinvention of chic (played out at double-quick speed in the splendid setting of the 1880s Hôtel Salomon de Rothschild), took familiar elements and tweaked them to faintly disquieting effect. A grayed pied de poule tweed, for instance, was used for a coatdress that oddly attenuated the proportions of an eighties YSL jacket; the model’s automaton stride in her white chiffon box-pleated skirt revealed that the garment was culottes; a classic fringe-tongued loafer was grafted onto a wedge heel that recalled Salvatore Ferragamo’s late 1930s experiments. And one of the few overt embellishments was an embroidered crystal motif of broken chains.
Pilati played with those Cristóbal Balenciaga volumes with mushrooming boule-shaped capes—and the chicest parka—while here and there he literally evoked moments of Saint Laurent history. The bateau-necked pepper-and-salt tweed marinière, or sailor’s blouse, for instance, cut like a boule over lean black pants, recalled a similar example from an early 1960s YSL couture collection; a trapeze-shaped dress of perforated black patent evoked the silhouette of Saint Laurent’s 1958 debut at Christian Dior, and the froth of white ostrich feathers for a coat brought to mind the plumed extravaganzas that Saint Laurent himself designed for the gamine ballerina Zizi Jeanmaire.